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listoricai Miscellanies 

Relating to 

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Book 

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COPXRIGKT DEPOSIT. 




WILLIAM 5. MOUNT 

From a photograph made in 1855 and loaned by 
Mr. Orville B. Ackerly 



Historical Miscellanies 

Relating to 

Long Island 



BY 

CHARLES J. WERNER 

Member of 

Long Island Historical Society, Kings County Historical Society, 

Suffolk County Historical Society, Huntington Historical Society, 

New York Genealogical and Biographical Society. 



Huntington, Long Island 

Privately Printed 

19J7 



Fa 7 



Copyright 1917 

BY 

CHARLES J. WERNER 



JUL 30 191 7 



ONE HUNDRED COPIES PRINTED 
OF WHICH THIS IS 



No. 



Mr. and Mrs. Luther M. Werner 

who have at all times offered every aid and 

encouragement in my historical endeavors 

This Book is 

Affectionately Dedicated 

BY the Author 



PREFACE 



The following historical sketches were written during 
odd moments between more serious tasks. They are 
published because of the author's belief that they will 
in some small measure help to perpetuate the in- 
teresting history of his native Island. The three 
shorter sketches describing the Schenck House, Car- 
penter's Tavern and Racing at Hempstead, are re- 
printed from issues of "The Hempstead Sentinel" in 
which they first appeared. 

Huntington, L. I. 
May 31st, 1917 



CONTE.NTS 



ScHENCK Homestead at Mill Island, Flatlands; 

New York State's Oldest House, ... 9 

Carpenter's Tavern at Jamaica, Scene of the 
Capture of General Nathaniel WoodhuU by the 
British 15 

Horse- Racing at Hempstead in the Olden Days, 21 

William S. Mount and His Art, ... 27 

The Thompson Homestead at Setauket; Birth- 
place of Benjamin F. Thompson, Historian of 
Long Island — Also Some Account of those Mem- 
bers of the Thompson Family who lived there, . 45 



THE SCHENCK HOMESTEAD 
AT MILL ISLAND, FLATLANDS 



The Schenck Homestead at Mill Island, Flatlands 



NEW YORK STATE'S OLDEST HOUSE 



T T is not generally known that the oldest houses in New York State are 
-*■ situated in the city of Brooklyn and are located in the Flatlands, Flat- 
bush, Gravesend and New Utrecht sections. Such, however, is the case 
and at least some one of these old landmarks should be bought and preserved 
either by the city or the historical societies, or even by a society formed for 
that specific purpose. 

The Art Commission of the City of New York has recently taken fifty 
photographs of early landmarks in all five boroughs of the city, in order 
that an image of them may be had for future generations in case of their 
destruction. That this fate is imminent may be judged from the fact that at 
least three in the collection have been torn down since they were photographed 
by the commission. 

A very good beginning along the line of purchase has also been made 
by the City, which has acquired and preserved the Van Courtlandt manor 
house at Van Courtlandt Park and lately by the purchase of the Dyckman 
dwelling on upper Broadway, which, besides being the oldest building in 
New York City proper, is also the only remaining example of the early 
Dutch farmhouse on Manhattan Island. 

In Brooklyn, however, we have several houses considerably older than 
the Dyckman place and besides the interest which attaches to them on account 
of their great age, there is also the added fact that several have been the 
site of interesting and stirring incidents in connection with our War of 
Independence. 

One in particular is the oldest building in the State and is known as 
the Schenck homestead. It is located on Mill Island just south of Bergen 
Beach and was included in the old town of Flatlands. 

Jan Martinse Schenck, one of the early settlers of Flatlands, came of a 
noble Dutch family which had long been prominent in the Low Countries 
now known as Holland. He emigrated with others of his family in 1650, 



Historical Miscellanies 

and six years later erected the house which now bears his name and which 
enjoys the distinction of being the oldest house in our State, with an age of 
259 years. 

The property is in a good state of preservation in spite of its great age 
and at the time of my visit was occupied by a tenant. It is a very good exam- 
ple of the farmhouse erected by the Dutch founders of our city. Two stories 
in height, the windows of the second story on the front are of the dormer 
variety. Vines completely cover one side of the building and a very com- 
fortable porch looks out towards the surrounding country. 

Looking at the front of the house we are first attracted by the pleasant 
simplicity of the architecture, which is a characteristic of the early Dutch 
farmhouse. There is a door in the center leading into a hall which runs to 
the rear of the house. The door is flanked on either side by windows and 
the roof is continued out over the porch and makes a cover for it. The roof 
is supported by five pillars. Three dormer windows peer out from the 
•upper story and lend an eerie quaintness to the design. The high peaked 
roof is surmounted by a single chimney at the extreme end. The old tiles 
around the hearth are still in place and the sturdy ceiling beams do not show 
their great age. Some of the beams are held in position by ship's cradles, 
for it must be known that the Schencks were seafaring men and carried on 
a brisk trade with the old country. 

The vessels owned by the Schencks came in through Jamaica Bay and 
discharged their cargoes at the Schenck wharf on the island near the house 
The idea of using Jamaica Bay as a terminal for transatlantic commerce is, 
therefore, over 200 years old and one can scarcely realize that a considerable 
amount of trade existed there at such an early date. Flatlands lost that trade 
by indifference to its demands and a lack of foresight on the part of the early 
settlers. It is gratifying to know that the project of improving and deepening 
Jamaica Bay is to receive the attention it deserves and in the course of time 
the busy hum of commerce will again be heard over its silent waterways. 

Jan Martinse Schenck willed the property to his son, Martin Janse 
Schenck, whose son, Capt. John Schenck finally became the owner. His 
heirs sold the property to Joris Martense of Flatbush, who paid £2,300 for 
the house, mill, docks and about seventy-five acres of land. Martense was a 
wealthy man and a leading citizen of Flatbush. He secretly advanced $5,500 
to the American cause, while ostensibly favoring the British. 

At this time the British troops were in complete control of Long Island, 
and their officers and men were quartered on the unwilling inhabitants. 
Major Moncrief occupied Joris Martense's home and was peacefully enjoying 
his slumbers on the night of June 13, 1778, when he was surprised and captured 



Long Island 

by Capt. William Marriner, who with a small band of Americans made a 
bold dash from Middletown Point, N. J., to Long Island without attracting 
the attention of the British, and successfully transported his prisoner, to- 
gether with others, back to Jersey before the break of dawn. The original 
intention of Captain Marriner was to capture Colonel Matthews, the Mayor of 
New York, and Colonel Axtell, his friend, who both resided in Flatbush at 
that time. Fortunately for these worthies, they had decided to spend that par- 
ticular evening at New York and so escaped an ignominious capture. How- 
ever, the Americans apprehended Major Sherwood, Captain Forrester and 
Theophylact Bache, a well-known Tory, in addition to Major Moncrief, and 
doubtless felt well satisfied with their raid. 

Joris Martense devised the property to his daughter, Susan, who married 
Patrick Caton. Caton Avenue in Flatbush is named in her honor. Mrs. 
Caton willed the propertj^ to her daughter, the wife of General Philip S. 
Crooke. After remaining in the Crooke family for some years, it was finally 
sold to Florence C. Smith, who in turn disposed of it to a real estate concern. 
The waterways surrounding the Island were dredged out and the property 
greatly improved by the Atlantic, Gulf and Pacific Company, who finally be- 
came the owners when the real estate company, having been affected by the 
financial panic of 1907, deeded it to them on January 14, 1909. The house is 
still owned by the Atlantic, Gulf and Pacific Company and is occupied, as has 
been stated before, by a tenant of the company. 



13 



CARPENTER'S TAVERN 
AT JAMAICA 



Carpenter's Tavern at Jamaica 

SCENE OF THE CAPTURE OF GEN. NATHANIEL 
WOODHULL BY THE BRITISH 



ON Fulton Street, east of Jamaica, stands a roadhouse which has been in 
continuous use for this purpose for a period of 206 years. Historians 
know of it as Carpenter's Tavern and it was built in 1710 by Increase 
Carpenter who was afterwards a Lieutenant in the American army during 
the Revolution. 

The old house is not famous for architectural merit or pleasing interior, 
but it claims celebrity as the scene of a very tragic occurrence — the capture 
and fatal wounding of General Nathaniel Woodhull by the British. 

By August 1st, 1776, the large English army and fleet which in the words 
of their commanders was "to drive the Rebels into the sea," anchored in the 
Lower Bay of New York and the army took up its quarters on Staten Island. 
Knowing that this move precursed an attack either upon New York or 
Brooklyn, General Washington divided his forces and sent a considerable 
number of men to defend the latter town, who took up their position south 
and southeast of the city and awaited the attack. 

They had not long to wait and on the 22nd day of August the British army 
landed at New Utrecht, south of Brooklyn, and during the interval between 
the 22nd and the 26th arrayed themselves opposite the Americans. The 
attack or "Battle of Long Island" as it is called, began in the early morning 
of August 27th and lasted all that day. On account of superior numbers 
and aided by a flanking movement from the east, which point had been 
insufficiently guarded by the Americans, the British were enabled to inflict 
a severe defeat upon our ancestors and drive them in towards Brooklyn where 
they made a stand the following day. On the 29th, Washington realized that 
the position was too weak to be held and during the night conducted his 
masterly retreat to New York, which gave possession of Long Island to the 
English. 

During the days preceding the battle. General Woodhull had presided 
over the Provincial Congress at White Plains and following this, had obtained 

17 



Historical Miscellanies 

leave of absence for a few days to attend to private business at his home at 
Mastic. While there he received orders to go to Jamaica and take charge of 
a number of MiHtia which he would meet at that place. With this force 
he was to proceed to the western part of Queens County contiguous to the 
British lines and collect all the cattle, grain and provisions he might find 
there and transport them eastward to the Hempstead Plains. 

With the small force at his disposal, he drove many of the cattle to the 
plains, and sent messengers to the provincial congress asking for reinforce- 
ments, both to finish his task and to render his position more secure against 
the British who were daily extending their lines closer to his field of activity. 
The disastrous battle of Long Island, however, delayed the sending of the 
much needed help and the General was finally put in the position where he 
could do no more with the small force at his command, now reduced to a 
scant 100 men by desertions and details to accompany the cattle going 
eastward. 

Still hoping for reinforcements or at least some intelligence from his 
superiors, on the morning of August 28th, he ordered his small detachment 
to fall back and take up a position about four miles east of Jamaica on the 
turnpike, remaining at the village himself in order to receive word of the 
expected help and to become acquainted with the outcome of the battle 
fought the day before which would in some measure, have an influence on 
his movements. 

The General remained at Jamaica until late in the afternoon of August 
28th, when he slowly withdrew eastward along the turnpike with one or two 
companions intending to join his command and spend the night with them. 
Just as he reached the tavern, a severe thunder shower broke and the General 
determined to take temporary shelter within its walls, and sent his companions 
on to join the main body. A narrow lane adjacent to the house and at right 
angles to the turnpike ran up to the heavily wooded heights north of the 
property, and seemed to offer a quick means of escape, if a roving band of 
British should chance upon the scene. 

Woodhull dismounted and entered the public room, having tied his horse 
to a fence post in the rear of the tavern. Hardly had he seated himself when 
a detachment of dragoons and mounted infantry rode furiously up to the 
entrance in search of the General whose presence in Jamaica had been 
divulged to the British by Tories. 

The shouts of the troopers led on by their Tory guide gave the first 
intimation to the General that his enemies were upon him. Dashing from 
the room he sprang towards the rear door secured by a heavy latch. The 

i8 



Long Island 

unfastening of this cost him many precious seconds and as he ran towards his 
horse, in the yard, the soldiers were close upon him. 

As he reached his steed the ruffians closed in and the General now at bay, 
tendered his sword in surrender to the nearest officer. The cowardly wretch 
not satisfied by this act of submission, demanded in an infuriated voice that 
his prisoner should pronounce the words "God save the King." The old 
General in a calm voice replied, "God save us all," whereupon the officer 
dashed towards him with drawn sabre and rained fierce blows upon his 
defenceless head and arms, until the old man sank to the ground, fearfully 
cut and slashed. 

The identity of the wretch who committed this wanton act of cruelty is 
not definitely known but it is admitted that Captain Oliver Delancey, a Tory, 
was in personal command of the detachment and on him rests the odium 
of the deed and the resultant death of the General. 

From the spot where he fell, he was carried to a maple tree growing 
near the rear door of the tavern, where he rested for some time, nearly 
bleeding to death. Finally his captors removed him to Jamaica where his 
wounds were dressed. 

On the following day along with other prisoners, he was carried to 
New Utrecht and put on board a filthy and loathsome prison-ship where he 
remained for two weeks without medical attendance of any kind. One 
of his captors, more humane than the rest, ordered his removal to a house 
in the village of New Utrecht where he was allowed some medical attention. 
His wife was sent for and brought with her, provisions and money to be 
used in caring for her husband. 

He lingered on for a day or so longer, and finally passed away on 
September 20th, 1776, from the effects of his terrible wounds. With his 
last breath he instructed his wife to distribute the money and provisions 
among the needy American prisoners. 

Thus Long Island's hero died — one who had sacrificed his life to duty and 
whose last thoughts were for other unfortunates. He is buried at Mastic, 
L. I. 

General Woodhull had served with distinction through the French and 
Indian War, and it has never been sufficiently explained why a man of his 
high military attainments was not given a more important post during the 
events which culminated in the Battle of Long Island. 

The old tavern is still much as it was during the Revolution and one 
can see the hall and heavy door and latch which hindered the General's 
flight. 

19 



Historical Miscellanies 

On May 23rd, 1912, the Sons of the Revolution erected a bronze tablet 
to his memorj', near the place of his capture. 

Aside from its importance as the scene of the capture, the old house 
sheltered many of the patriotic meetings held previous to the War of 
Independence and the first revolutionary gathering on Long Island took 
place there. 

The property is now known as Goetze's Hotel. 




HORSE-RACING AT HEMPSTEAD 
IN THE OLDEN DAYS 



Horse-Racing at Hempstead in the Olden Days 



/^LD Queens County, which included the territory now known as Nassau, 
^^^ has been the home of horse-racing from the earliest times. The great 
extent of plain-land found within its borders no doubt was a strong 
incentive towards the building of race courses on the part of our ancestors. 
Also, good and abundant pasturage might be had for the asking and level 
turnpikes even at an early date, spread themselves out like a spider's web 
over the land. 

The neighborhood of Hempstead seems to have found favor very early 
for this purpose, for in 1665 Gov. Richard Nicoll ordered a race course to 
be laid out on the Hempstead Plain, south of Hyde Park or "Isle of Trees" 
as it was then known. The plains in those days were known as "Salisbury 
Plain," and the name has been fittingly perpetuated by the Salisbury Golf 
Club. The course known as New Market was quite an ambitious affair 
and was the meeting place of those who were sportingly inclined. 

It is interesting to note that the project was established, in the words 
of the Governor, "for encouraging the bettering of the breed of horses, 
which, through great neglect has been impaired," an argument which is still 
used to justify the practise of racing with its attendant evil of gambling. 

Governor Francis Lovelace succeeded Nicoll in 1668 and patronized the 
course in no uncertain manner. He proclaimed that trials of speed should 
take place in May of each year and "that subscriptions be taken up of all 
such as were disposed to run for a crown of silver or the value thereof in 
wheat." 

Daniel Denton in his "Brief Description of New York," published in 
1670, and a very famous book by the way, says : "Toward the middle of 
Long Island lyeth a plain 16 miles long and 4 broad, where you will find 
neither stick nor stone to hinder the horses heels, or endanger them in their 
races, and once a year the best horses in the island are brought hither to try 
their swiftness, and the swiftest rewarded with a silver cup, two being annually 
procured for that purpose." He might have said the best horses in the 
province, for New Market was known and patronized from Boston to 
Philadelphia and its fame reached even to England. 

23 



Historical Miscellanies 

The book from which the above extract was taken is the first work on 
the colony of New York written in the English language. It is excessively 
rare and when a copy is offered for sale it generally fetches over $i,ooo. The 
author, a son of Rev. Richard Denton, Hempstead's first minister, came with 
his father from Stamford to this village in 1644. He was a prominent man 
in the colony and became a magistrate at Jamaica in later life. 

We do not know exactly how long the course was in existence, but 
Thompson in his "History of Long Island" states that it was in great favor 
for over a hundred years, but finally abandoned for one nearer to New 
York — probably at Beaver Pond, Jamaica, or the track at Newtown. 

Now comes a lapse in racing at Hempstead until about 1827 when the 
old Washington Course was established, northwest of the village. The loca- 
tion is plainly marked on Walling's Map of 1859; the track lying in a 
triangle formed by Cherry Valley Road, old Washington Avenue and an 
unnamed road. As far as can be ascertained from a comparison of old maps 
with modern surveys, the spot was a little east of the present Cathedral 
Avenue, near the boundary line of Hempstead and Garden City. 

The course was on the open plains, unfenced, and consequently no 
admission was charged, and the purses were made up by offerings from the 
crowd, dropped into a hat or glass passed around. 

Trotting races were very popular and the owners generally drove their 
own horses to the track, starting from home in the morning, arriving at 
Hempstead at noontime and trotting all afternoon. The judges' stand was 
a very crude affair with a bar occupying the ground floor where the en- 
thusiasts were wont to "take a little licker" after each heat. 

When the afternoon's sport was over a wild scurry to get home first took 
place and many a bet was laid on the horse and driver who would first reach 
Stephen Hewlett's hotel at Main and Front Streets. 

Two, three and four mile heats were the order of the day in those times 
and a horse's endurance and stamina were often put to a severe test. 

In 1841 took place the famous trot against time from Brooklyn to 
Montauk Point, the result of a wager between Isaac Willets of Hempstead 
and Gilbert B. Miller of Brooklyn ; that the former could drive a team over 
this distance in twenty-four hours. Mr. Willets drove a team belonging to 
the Curtis family of stage-line fame ; won his bet and accomplished the task 
in twenty-three hours and two minutes. 

This was considered "sport" in those days, but we are of the opinion 
that present day horsemen would call it something pretty close to cruelty. 

Racing in the "forties" and earlier, drew a pretty rough crowd from all 
accounts and was attended with a great deal of gambling and worse evils. 

24 



Long Island 

The "sport of kings" in spite of its great popularity did not seem to find 
much favor with the historians. Benjamin F. Thompson, speaking of the 
Washington Course in a letter written in 1827 to his father-in-law at Setauket, 
Rev. Zachariah Greene, the "fighting parson" of Revolutionary days, says : 
"Hempstead will encourage little else but horse-racing, and of this we are 
likely to have enough, as it is reported that Union Course is to be given up 
and a course for horse-racing established near this village. Hempstead will 
of course be thronged with that sort of gentry, persons more brutish than 
the horses they ride." 

The course was in existence for many years and served to make Hemp- 
stead quite a centre for the sport. 

For a further account of racing on Long Island we would refer the reader 
to Thomas Floyd-Jones' "Backward Glances," from which certain particulars 
of the Washington Course have been taken. 



25 



WILLIAM S. MOUNT AND HIS ART 



William 5. Mount and His Art 



AMONG the list of American artists the name of William Sidney 
Mount stands forth as the most successful depicter of the happy 
side of American country life. Almost all of his canvases tell a 
story of the rural life of the first half of the last century — of the "good 
old days" when the homely joys of the farm were experienced — when 
straw rides and hay frolics were the order of the day. Indeed, the mere 
titles of his paintings bring us back to the life and joys of our 
grandfathers. 

The scenes of most of his paintings are laid on Long Island, many of 
them near his home at Stony Brook. Thus they preserve to us an image 
of the landscape and customs of bygone days and, aside from their 
acknowledged artistic supremacy, are interesting to all lovers of our 
Island from a historical standpoint. He was, and is in truth, Long 
Island's artist. 

He was born on November 26th, 1807, at Setauket, where his father 
followed the occupation of farming and also kept an inn. He was one of 
five children and the youngest of four brothers. 

His father, Thomas Shepard Mount, was married at Setauket in 
1801 and his name first appears on the town records during that year. It 
is likely that he came to the locality several years previous, but the family 
were not original settlers, nor is it known that any other individual of the 
name lived on the Island previous to his coming. A brother, John S. 
Mount, also lived at Setauket, and the two brothers married sisters, as 
will appear later. 

Thomas S. Mount, on December 23rd, 1801, married Julia, daughter 
of Major Jonas Hawkins, of Stony Brook, son of Eleazer 2nd, grandson 
of Eleazer 1st. and great-grandson of Zachariah Hawkins, who was one 
of the original proprietors of the town of Brookhaven, settled in 1655, of 
which Stony Brook and Setauket are villages. Zachariah lived at Setauket 
and so did his son Eleazer until 1757, when he removed to the neighbor- 
ing village of Stony Brook and built the large house which later became 
the home of the Mounts. Another daughter of Major Jonas, Dorothy, 
married John S. Mount, as before intimated. 

29 



Historical Miscellanies 

Thomas S. Mount and Julia Hawkins, his wife, had five children: 
1st, Henry Smith, born October 9th, 1802; married Mary Ford, December 
21st, 1826, and died January 10th, 1841. 2nd, Shepard Alonzo (who 
sometimes signed his name Alonzo S.), born July 17th, 1804; married 
Elizabeth H., sister of Charles L. Elliott, himself a noted artist, Octo- 
ber 5th, 1837, and died September 18th, 1868. 3rd, Robert Nelson, born 
February 10th, 1806; married Mary Brewster; died March 7th, 1883. 4th, Wil- 
liam Sidney, born November 26th, 1807, and died unmaaried November 19th, 
1868. 5th, Ruth, born Decem.ber 25th, 1808; married Charles S. Seabury, 
December 25th, 1826. 

While William S. Mount was still in his childhood the family removed 
to the Hawkins homestead at Stony Brook, the home of his mother's 
family which has since been known as the Mount house. Many of his most 
famous paintings were executed in the old studio in the attic. 

The house itself is very interesting, but more of that later. In 1824 
at the age of seventeen he went to New York and became associated with 
his brother, Henry S. Mount, as a sign-painter, but a capacity for a much 
higher order of art soon became evident. Mount was elected an asso- 
ciate of the National Academy in 1831 and an academician in 1832. His 
paintings soon made their appearance in the important galleries and exhi- 
bitions and his fame spread while yet a young man. After a few years 
in the city, he returned to Stony Brook and applied himself to his art for 
the rest of his life. 

Mount's art was appreciated during his life and since his death the 
full realization of his genius is apparent to us. The mature judgment of 
time points to the human note in his pictures, which seems to reach out 
and make us live among the people and scenes we are looking at. He 
injects a fine sense of humor and happiness in many of his canvases. 

His first picture, a portrait of himself, was painted in 1828 and was 
quickly followed by two compositions, "Christ Raising the Daughter of 
Jairus" and "Saul and the Witch of Endor," both exhibited the same 
year at the National Academy, where they were very favorably com- 
mented upon. 

It was an anxious time for the young artist and the waiting family 
in the country. Much depended on what reception the public would 
afiford his efforts, and when the "criticks" finally came to them and 
fastened their stamp of approval on his first efforts, young Mount felt 
that a great deal had been accomplished and that a good start had been 

3° 



Long Island 

made in his chosen profession. Even before any paintings had been 
exhibited, no lurking doubt or suspicion that his work would not be 
appreciated ever entered the minds of his kin and an extract from a 
letter written by a brother, Robert Nelson Mount, then only twenty-two, 
is both interesting and prophetic: 

"You promised to give me an account of the reviews of the National 
Academy of Design, or rather tell me what was said about brother 
Henry's and William's paintings by the criticks, but you have not done 
it, and I fear it is because they did not compliment them very highly. 
Admitting that to be the case, I should hope that brother William would 
not be discouraged — Henry I know would not. I think that there is not 
a doubt that William will take a stand among the first of his profession 
(and I may add) a stand that will be unrivalled by those of his contem- 
poraries that now look upon him with seeming indifference. I do not say 
this to flatter brother Bill; the proof he has already given us of his 
ability as a designer is sufficient to make me think as I do. 

"Ambition (it is said) is the cause of eminence. He has that and is 
also persevering in whatever he undertakes; more so, brother Shep, I 
think, than you are. Excuse me for this remark, I was led to make it, 
fearing that for the want of perseverance you might give up a business 
that in a few years by diligent study you might almost be master of. 
He that would excel (says Sir Joshua Reynolds) must not lay his pencil 
aside when it ceases to amuse, but on the contrary must go to work 
willing or unwilling, morning, noon and night and will find it no play, but 
very hard work." 

In 1830 Mount painted and exhibited "The Country Dance," some- 
times called "The Rustic Dance," a bit of humorous rural life which 
instantly attracted universal attention. The quick success of the picture 
plainl}^ indicated to the young artist that the portrayal of the happy side 
of country life was the road along which fame beckoned. It was the 
outward and visible sign of the artist's humorously philosophical nature. 
He knew and loved the country folk and could portray with a master 
hand their homely joys and amusements. As is further evidenced by his 
correspondence and by those few friends of his who are still among us, 
the artist had a pronounced vein of humor and everyone of his paintings 
of this type tells a story. 

We append herewith a letter written to his brother, Robert Nelson 
Mount, shortly after the first appearance of his "Country Dance": 

31 



Historical Miscellanies 

N. York, May 29, 1830. 
Brother Nelson — 

I have a plenty of business. I am painting the portraits of the Rev. 
Mr. Onderdonk* and Mr. Thompson, the architect, etc. I shall be up 
home as soon as I paint three or four more and some landscapes from 
nature. My Country Dance attracts great attention; I will give you a 
copy of a criticism on the pictures, he blows them up like fun, we can't 
find him out — published in pamphlet form. I have sold my Cottage. f 

"Mount's little girl from Cottage comes; 
In nature's tints she lovely blooms. 
Whilst o'er her head the willow tree, 
Waves as it should, so droopingly. 
He leads us up a Rustic Dance, 
Such things are better done in France, 
But this shall keep no under station. 
It shows some scenes within the nation. 

"Take nature for a guide and she 
Will show what wants variety. 
Study good composition well. 
One day in this; thou may'st excel. 
In harmony more thy colours blend. 
I speak as't were to any friend 
Who leaves them now, in hopes to see 
Still better things next year from thee." 

Shepard is gone up Country. Aunt Hawkins is in town. Grand- 
mother will be up next trip. Wrote in a hurry, burn up my letter. 

Yours, etc., 

W. S. Mount. 

Luckily for the historian the last admonition was not followed out 
and this interesting letter has been preserved to us. 

"The Farmer's Nooning," executed in 1837, is one of Mount's best 
works; representing the noon hour of relaxation and refreshment among 
the farmer and his hands working in a distant field, too far away from 



• Bishop Benjamin T. Onderdonk, fourth Bishop of the Episcopal diocese of New 
York, elected 1830. 

t His painting, "Girl and Cottage." 

32 



Long Island 

the homestead to admit of their returning for the mid-day repast. It was 
purchased by Jonathan Sturges, a well-known merchant and art patron 
of the day, and is now owned by his son, Mr. Frederick Sturges. The 
scene is a somewhat lofty point on the Mount farm at Stony Brook, with 
vistas of the neighboring country. It can be readily recognized by one 
who will take the trouble to stand on the same spot today. 

In this connection many of Mount's most famous canvases depict 
scenes on his farm and especially is this true of the large barn which is 
still standing. "The Power of Music," the artist's best genre composi- 
tion, portrays an impromptu concert with eager listeners, staged in the 
wide main chamber, galleried with bulging hay and flanked by two huge 
doors. 

Mr. Henry C. Sturges, of New York City, another son of Jonathan, 
owns "Wringing the Pigs" and "Who'll Turn the Grindstone?" 

While on the subject of patrons we must not omit to mention 
Luman Reed, an opulent merchant who died in 1836, and the chief 
encourager of American art during his lifetime. He was a warm friend 
of Mount's and besides giving him several commissions, sought to interest 
himself in the artist and thus encourage him to greater efforts. Mr. Reed 
lived at 13 Greenwich Street, the third story of which building he used 
as a picture gallery and to which the public was admitted one day a 
week and his friends at all times. At his death the paintings were pur- 
chased by friends, with a view to keeping them intact, and thus originated 
The New York Gallery of Fine Arts, which finally went out of existence 
after a checkered career of twelve years. Eighty of the paintings belong- 
ing to the Gallery were acquired by the New York Historical Society in 
1858 and among these are three examples by Mount: "Truant Gamblers," 
owned by Mr. Reed; "Bargaining for a Horse," presented by the elder 
Sturges, and "The Fortune Teller," presented by the artist. The figures 
in the last mentioned work are portraits of Mrs. Amelia Longbotham, as 
fortune teller, and Edna Bostwick, as a young girl. Mrs. Longbotham 
was a neighbor of the artist's on Long Island, and Miss Bostwick, evi- 
dently a friend. A sequel picture to "Bargaining for a Horse" is "Com- 
ing to the Point," in the New York Public Library, the two depicting an 
old-fashioned horse trade. The latter was presented to the Library by 
R. L. Stuart. 

Mr. Robert Gilmor, of Baltimore, a member of an illustrious and 
wealthy family of that vicinity, was another patron, and for him the artist 
painted two pictures that we know of, "Boy Getting Over a Fence" and 
the "Bar-room Oracle," the last, in spite of its title, being one of Mount's 

33 



Historical Miscellanies 

best works. We will let him describe it in his own words, as written to 
Mr. Gilmer: 

"The man puffing out his smoke is a regular built Long Island tavern 
and store keeper, who amongst us is often a General, or Judge, or Post- 
master, or what you may please as regards standing in society, and as 
you say, has quite the air of a Citizen. 

"The man standing wrapped in his cloak is a traveller as you sup- 
posed, and is in no way connected with the rest, only waiting the arrival 
of the stage. He appears to be listening to what the old man is saying. 

"I designed the picture as a conversation piece; the principal interest 
to be centered in the old invalid who certainly talks with much zeal. I 
have placed him in a particular chair which he is always supposed to 
claim by right of possession, being but seldom out of it from the 'rising 
to the going down of the sun.' A kind of Bar-room Oracle, chief umpire 
during all seasons of warm debate, whether religious, moral or political, 
and first taster of every new barrel of cider rolled in the cellar; a glass 
of which he now holds in his hand while he is entertaining his young 
landlord with the longest story he is ever supposed to tell, having fairly 
tired out every other frequenter of the establishment. 

"I agree with you in the opinion that it is my most finished 
performance." 

Mount was a close friend of Benjamin F. Thompson, the renowned 
historian of Long Island, as were, in fact, the entire Mount family. The 
artist and author had much in common and each appreciated the chosen 
profession of the other. A very good reproduction of the well-known 
portrait of Thompson by Mount may be found as a frontispiece in the 
third edition of "Thompson's History of Long Island," recently pub- 
lished under the editorial supervision of the author of this article. 

The artist visited Hempstead as the historian's guest in 1834, when 
the portrait was painted, and again in 1837. During these visits Mrs. 
Thompson's likeness was also portrayed, and also those of several other 
prominent Hempsteadites of that time, among whom may be mentioned 
Rev. Zachariah Greene, "the fighting parson" (Thompson's father-in- 
law); Rev. William M. Carmichael, rector of St. George's Church, and 
William H. Barroll, a prominent merchant. The Thompson and Greene 
portraits are owned by Miss Julia H. Thompson, of Hempstead, who is 
a grand-daughter of the historian. In the writer's opinion, the portraits 
of Thompson and his wife are done in the artist's most pleasing manner 
and he does not hesitate to pronounce them the best example of Mount's 
work as a portrait painter. Unfortunately, the engraving of Mr. Thomp- 

34 



Long Island 

son's likeness which was inserted in the second edition of his "History," 
published in 1843, is a rather poor copy and does this beautiful painting 
scant justice — indeed the engraver took upon himself the license to 
interject into his work a hand clasping a book, which serves very well 
to indicate the subject's literary proclivities, but which does not occur in 
the original. The head and face, most important in any portrait, are 
here the worst done part of the whole picture. It is therefore doubly for- 
tunate that a correct photographic reproduction of the portrait is now 
exhibited in the new edition. 

While on this subject we may say that William S. Mount executed 
many excellent portraits of well-known personages of his time and there 
are some who go as far as to say that his fame should chiefly rest on 
these. A likeness of General Jeremiah Johnson hangs in the Brooklyn 
City Hall and a portrayal of Bishop B. T. Onderdonk hung in the Chapel 
of Columbia College many years ago and is very probably still owned 
and exhibited by that institution. 

Mrs. M. B. L. Jergenson, of Setauket, is the fortunate possessor of 
three portraits by our artist, namely: General John R. Satterly, Mrs. 
John R. Satterly and one of her grandfather, Samuel L. Thompson, 
brother of Benjamin F., before mentioned. General Satterly was an 
officer of Militia and postmaster of his native village of Setauket. 

A likeness of Judge Selah B. Strong, of Setauket, is owned by his 
descendants residing on Strong's Neck, Setauket, as is also a landscape 
of the Neck by the same artist. Of this composition Shepard Mount, 
writing to Benjamin F. Thompson, says: "Mr. Strong is much pleased 
with William's portrayal of the Neck — wherein he can behold so many 
objects so familiar to his vision during the years of his childhood." 

For an enumeration of other accomplishments in the line of portrai- 
ture, we would refer the reader to the catalogue of the artist's work at 
the end of this article. 

Before leaving this topic we are going to append for the reader's 
edification a letter written by the artist to his brother Nelson, in which 
some interesting and humorous observations are mentioned. 

New York, 
42 Chatham Street, 

March 6th, 1860. 
Brother Nelson — 

I have painted five portraits in South Brooklyn at the residence of 
Mrs. Becar.* I painted her late husband from memory (he left no 

35 



Historical Miscellanies 

likeness), he has been dead over three years. I am now painting a 
whole length of a girl aged two years, from a sketch which I took after 
death — daughter of Nathaniel Marsh on Staten Island. The parents 
think the likeness perfect. The sail to and from the Island is delightful. 
Steamers and sail vessels in constant motion adding beauty to the scene. 

We agree with you; we do not believe in the treating system. If you 
know of any habitual tippler, advise him to use New Orleans molasses as 
a substitute, and it will cure him in six weeks' time from a strong desire 
for liquor. I will pay for the first gallon! 

Shepard is painting the portrait of a lady in 27th Street New York. 
I have written this letter in great haste, 

Yours very truly, 

Wm. S. Mount. 

Several interesting stories are told of Mount, which serve to show his 
true artistic temperament. The following concerning him appeared in 
the New York Evening Post shortly after his death: 

"A lady spoke of his coming into a room while she was amusing her- 
self with a pet spaniel which had been taught to sit in an upright posi- 
tion. The attitude of the dog impressed the artist and he essayed to 
sketch him. Just as he had completed everything except the position of 
one leg, the animal dropped and could not be persuaded to assume the 
position again. Disappointedly, Mount closed his sketch book and 
announced the sketch to be spoiled. In vain the lady urged him to sup- 
ply the little required from memory. He would not risk falsehood in a 
single line or hair." 

As an instance of his neglect of pecuniary matters, a common trait of 
artists by the way, we may relate the following from the same source: 

"A young and prosperous merchant of New York wished Mount to 
paint his portrait. While they were engaged in conversation on the sub- 
ject the merchant remarked: 'After all, Mr. Mount, you must admit that 
Art would be nothing without money. Your motive for painting my 
picture is the price I pay you.' 'My friend,' said Mount, 'I am very sorry 
you said that — not that I am offended — I am not. But after such an 
observation I could not paint your picture.' Explanations were useless. 
The picture was never painted." 

Shepard Alonzo Mount, three years older than William S., was him- 
self a portrait painter of no mean ability. He executed a very good like- 



Mrs. Noel J. Becar, residing at Henry and Warren Streets, Brooklyn. 

36 



Long Island 

ness of his more famous brother, also one of Rear Admiral Theodorus 
Bailey and of J. D. Hewlett. Several very creditable examples of still 
life are also from his brush. 

Shepard Mount, though mostly self-taught, was a man of broad edu- 
cation and was possessed of those finer sensibilities of mind and nature 
which are generally attributed to the poet or divine. He had the rare 
power to adequately portray his thoughts either through brush and 
canvas or with the literary pen. As an example of the latter gift we shall 
exhibit to the reader his poem entitled "The Old Double Door," which 
door is still to be seen at the Mount Homestead at Stony Brook. The 
verses originally appeared in the "Independent Press," published at 
Stony Brook from 1865 to 1868: 

THE OLD DOUBLE DOOR 

By Shepard A. Mount. 

I am gray-haired now, but I still can see, 

This old hall door as it looked to me 

In early life — when a wild young boy, 

I o'er it bounded with mirthful joy. 

I often think with a dreamy eye 

Of those golden hours so long gone by; 

Of that sweet sleep I shall know no more 

At the sunny side of this old hall door; 

The Old Double Door, the broad panel door, 

And the long iron hinges it turned on of yore. 

The home of my childhood, is home to me still. 
Though shadows have passed o'er the time worn sill ; 
The faces have vanished that made it dear. 
And lights have gone out that once shone here. 
Yet, all is not darkness, while loved ones are nigh 
To look out with me on the deep solemn sky. 
And commune with the dead on that far oflF shore, 
Now gone forever from our old hall door. 

How kindly it swung at the beggar's call, 
When the tread of my Mother was heard in the hall ; 
How gently it closed when they chose to depart. 
By the same dear hand, and a trusting heart. 

37 



Historical Miscellanies 

Alas ! for the changes that meet our return ; 
Now, the tall grass bends to the willow and urn — 
And vainly we listen to hear once more, 
The voice that governed the old hall door. 

O'er the dark gray roof, and trailed to the ground, 

The wild trumpet creepers profusely abound, 

Studded all o'er with their waving flowers. 

Where the humming-birds sport in the scarlet bowers ; 

To this beautiful home of my infant life, 

When my heart grows tired of its toilsome strife. 

Then weary I come to see once more 

The forms of the past at our old hall door. 

Faithful old door, I no more may renew 
The joys of the past so familiar to you; 
The dearest of all, she returns here no more 
To brighten the shadows of clouds gone before. 
No elastic rubber, nor springs of steel. 
Ever force you against the stranger's heel ; 
And thus-and-ever — I trust you will be. 
Thrown open to all who may journey to thee. 
The Old Double Door, the broad panel door. 
And the long iron hinges it turned on of yore. 

The following letter written to his friend, Benjamin F. Thompson, is 
also interesting as depicting an old-fashioned Fourth of July Celebration. 

New York, Dec. 21, 1840. 
My highly respected Friend: 

I feel honored in the reception of your letter. As a family of Brothers 
we are fully sensible of, and I trust truly thankful for, the interest you 
evince in our welfare. We consider you not as an acquaintance of recent 
date but an early friend, and the friend of our Father, ever stimulating us 
to acts and acquirements which if obtained, would make us honorable and 
useful in this wicked world. The mention of my Father's name conveys 
me back to my boyhood when our national jubilee used to be celebrated 
with such joyous festivity in old Setauket when Doct. Franklin (as we boys 
then called you) was the Orator of the day and when Capt. Mount used to 
march in front of the Artillery and order out the big-gun to send forth 

38 



Long Island 

its notes o'er hill and vale reminding us with a voice of thunder the price 
of our liberty. Then stood pretty girls upon their tip-toes with hands 
pressed upon their ears, to avoid the shock gazing with wonder at the more 
daring boys who in defiance of Military authority cut up their capers even 
at the cannons mouth. Since then many years have passed and you have 
become the reputed historian of our own native Isle. As you desire it I will 
inform you I was born at Setauket on the 17th day of July, 1804. And 
in my 25th year commenced the art of painting. The notice you have 
been pleased to make of me in your first edition suits me with the exception 
that you have represented me as an artist too favorably.' In these 
Daguerreotype days the works of painters must be subjected to a closer 
scrutiny. The great will quickly rise the poor must fall. A portrait I have 
recently painted, might convince you of an improvement; my efforts here- 
after must be to merit what you have already said rather than intimate a 
desire for further praises. 

Of Uncle Micah Hawkins* I know nothing in particular that would aid 
you in a biographical sketch of his character or ability more than you are 
already acquainted with, both, from personal knowledge and familiar corres- 
pondence. Brother Henry as you have anticipated will not remain long with 
us, he continues failing. I should not at any moment be surprised to hear 
of his Death. Please give my respects to Mrs. Thompson. 

Yours truly 

S. A. Mount. 

P. S. Probably you will receive a letter from Brother William in a 
few days, whatever it may contain concerning me you can insert in your 
new volume, at your discretion. I shall immediately call upon some of 
Uncle Micah's old associates hoping they can communicate something to 
you, of him, that will be interesting. S. A. M. 

Shepard Mount's melancholy prediction in regard to his brother 
Henry was soon fulfilled and this estimable gentleman died January 10th, 
1841, in the thirty-ninth year of his age. Henry Mount, when still a 
youth, journeyed to New York and apprenticed himself to Lewis Childs, 
as a sign-painter. He later set up for himself in this line and also executed 
many meritorious paintings which were exhibited at the National Acad- 



* Micah Hawkins was the author of "The Saw-Mill," the first American opera 
to be successfully produced. It enjoyed quite a lengthy run at Wallack's Chatham Theatre, 
New York, in 1824. Hawkins was born in the Mount house at Stony Brook, January 
1st, 1777, and died in New York, July 29th, 1825. 

39 



Historical Miscellanies 

emy and at Clinton Hall. It was to him that William S. Mount first went 
to learn his trade as a sign-painter, and from his amiable brother the 
soon-to-be-famous artist first received the rudiments of design. 

Shepard Mount died on the 18th of September, 1868, in his sixty-fifth 
year, and was followed to the Great Beyond by his brother William, just 
thirty-one days afterwards. All three brothers are buried in the Presby- 
terian Church Yard at Setauket, a neighboring village. 

Now let us turn to the old Mount homestead at Stony Brook. It was 
built in 1757 and is surrounded by box-wood as old as the house. The 
dwelling, large even for today, is two and a half stories in height. As 
we approach the front door our attention is attracted by an ancient 
knocker in the form of a goddess's face, carefully tinted by the artist, 
and underneath it the family name is painted. Many examples of Mount's 
work hang on the walls, but the goal of our steps is the studio on the top 
floor; in practically the same state as when death called its occupant 
away forty-eight years ago. Many pictures fill the room. In one corner 
you will find the easel and in another a music stand, for it must be 
remembered that he was a musician also. A violin of curious design is 
carefully inscribed: "Invented by Wm. S. Mount, N. A.," and is still in 
its case as he left it. 

Speaking of music, it should be noted that quite a few of his paint- 
ings introduce some form of it as a central theme, such as "The Power 
of Music," which is considered his best genre composition. The old time 
negro is often brought in, too, and critics are agreed that Mount was the 
first American artist to make a serious study of negro physiognomy and 
character. 

The house is a very good example of colonial architecture and most 
of the hardware on doors, etc., is hand-wrought, such as hinges and 
latches. In the front hall is a saddle bin where occupants and visitors 
were wont to throw their saddles after dismounting at the doorstep; 
their steeds being led to the stable for refreshment and attention. A 
musket closet also exists and the observing visitor cannot fail to notice 
several smoke holes over the doors, through which that part of the 
smoke from open fireplaces which did not go up the chimneys could find 
an exit. 

Henry S. Mount painted a picture in oils of Stony Brook Harbor on 
a horizontal panel in one of the parlor doors. It is still in existence on 
the door and it was Mount's intention to paint other local scenes on 
similar panels in the remaining doors, but his untimely death prevented. 

40 



Long Island 

As it was, the picture was completed during his last winter on earth. 
The treatment of the panel is certainly unique and merits special mention. 

Passing into the kitchen we are at once struck by the enormous fire- 
place, over six feet broad and almost as deep. Within it is the usual 
crane from which are still suspended hooks, skewers, pots and other 
implements necessary for roasting or cooking — not omitting a curling 
iron for the ladies. As you face the fireplace, just to the right, is an 
ancient seat or bench which was the favorite resting place of a privileged 
slave known as Cain. Since then it has always been called Cain's seat 
and is one of the first objects pointed out to visitors. 

The old barn which is portrayed in several of William S. Mount's 
best pictures is still standing and its hand-hewn timbers are good for 
many years more. 

The estate now consists of sixty-three acres, but under the owner- 
ship of the Hawkins was considerably larger. It is said that twenty-two 
slaves were on the place when manumission was effected in New York 
State. The remains of a slave cemetery can be discerned on an eminence 
northeast from the barn. 

Stony Brook is only two hours from New York by motor and both 
the art-lover and historian will be well repaid by a visit to this historic 
house and home of Long Island's foremost artist. 

Appended herewith is a list of his paintings, both portraits and other- 
wise. It is not complete, but will give a good idea of the scope of his 
work and should be included in any attempt at writing a sketch of the 
artist: 

Bargaining for a Horse A Glimpse of Long Island Sound 

Cracking Nuts Flowers 

Old Family Burying Ground Cherries 

Primitive Times Setauket Harbor 

Old Kitchen Fireplace Strong's Neck (1846) 

Waiting for the Tide to Fall Old Homestead at Stony Brook 

A Truthful Bit of Long Island (1868) 

Scenery Resting on the Oars 

An Afternoon in Autumn Mill Dam at Madison, Greene Co. 

Waiting for the Packet Five O'clock in the Morning 

Eaton's Neck Early Spring 

Long Island Sound Coming from the Orchard 

On the Hudson Card Players 

Snowballing Swapping Hats 

41 



Historical Miscellanies 



Mill at Stony Brook 

Washington Crossing the Alle- 
ghany on a Raft 

Catching the Tune 

Dawn of Day (1868) 

Banjo Player (1858) 

Power of Music (1847) 

Music is Contagious 

The Mower 

Bouquet of Beauty 

Christ Raising Daughter of Jairus 
(1828) 

Saul and Witch of Endor (1828) 

The Country Dance (1830) 

The Raffle (1837) 

Raffling for a Goose 

The Courtship 

The Tough Story 

Farmers Husking Corn 

Farmers Nooning (1836) 

Undutiful Boys 

Fortune Teller 

Cider Making on Long Island 
(1840) 

Truant Gamblers 

Coming to the Point 

Walking the Crack 

Sportsman's Last Visit (1835) 

Wringing the Pigs 

Lucky Throw 

Boys Trapping (1839) 

Dance of the Haymakers (1845) 

Children with Bird's Nest (1844) 

Turn of the Leaf (1849) 

Who'll Turn the Grindstone (1851) 

California News 

Right and Left 

Just in Time (1860) 

Early Impressions are Lasting 
(1864) 



Mutual Respect (1868) 

The "Herald" in the Country 

Banjo Player in the Barn 

Bar-room Oracle 

Boy Getting Over the Fence (prior 

to 1836) 
Negro Asleep in the Harvest Place 

(prior to 1837) 
Boy Sitting with a Book in His 

Hands, Surrounded by Flowers 

(1840) 
Girl and Cottage (ca. 1830) 
Early Recollections of Fishing 
Blackberry Girls 
Disappointed Bachelor 
Boy Hoeing Corn 
Girl Asleep 

Boys Hustling Coppers 
The Ramblers 
The Novice 
Loss and Gain 

Farmer Whetting His Scythe 
Any Fish Today? 
Spring Bouquet 
The Tease 
Esquimaux Dog 
Male Head 

Portraits 
Mrs. Blydenburgh (1846) 
James Rivington 
Gen. Francis B. Spinola 
Gen. Jeremiah Johnson 
Gen. John R. Satterly 
Mrs. John R. Satterly 
Bishop B. T. Onderdonk (1830) 
Judge Selah B. Strong 
Daniel Webster 

Rev. Dr. William M. Carmichael 
(1837) 



42 



Long Island 



William H. Barroll (1837) 
Benjamin F. Thompson (1834) 
Mrs. Benjamin F. Thompson (1834) 
Rev. Zachariah Greene 
William S. Mount (1828) 
William S. Mount (1854) 
Samuel L. Thompson 
Nina Mount 
Noel J. Becar 

Infant daughter of Nathaniel Marsh 
Mrs. Julia Mount 
Henry S. Mount (1828) 



Shepard A. Mount (1838) 

Thomas S. Mount (1855) 

Architect Thompson (ca, 1830) 

William Wickham Mills 

Misses Russell 

Capt M. C. Perry, U. S. N. 

Edward H. Nicoll 

Mrs. Edward H. Nicoll 

Solomon Nicoll 

Rev. Zachariah Greene, with Bust 

of Washington 
W. A. Jones 



Dates where given indicate year in which picture was painted. 



43 



THE THOMPSON HOMESTEAD 
AT SETAUKET 




< 
uJ 

1— 
<r, 

Z 
O 

r 

z 



a. 

O 

i: 



The Thompson Homestead at Setauket 



BIRTHPLACE OF BENJAMIN F. THOMPSON, HISTORIAN 

OF LONG ISLAND— ALSO SOME ACCOUNT OF 

THOSE MEMBERS OF THE THOMPSON 

FAMILY WHO LIVED THERE 



SETAUKET, the first settlement within the confines of the present 
town of Brookhaven, was established in 1655, and in the following 

year John and Anthony Thompson settled here; coming first from 
New Haven to Easthampton and from there to Setauket. John was born 
June 3rd, 1609, and became one of the original proprietors of the town of 
Brookhaven. He died October 14th, 1688, aged 79, and was the first 
ancestor of that branch of the family living on Long Island. John's 
youngest son, Samuel, was born March 4th, 1668, and died July 14th, 
1749, aged 81. On November 6th, 1709, he married Hannah, widow of 
John Muncy, and daughter of Rev. Nathaniel Brewster, the first installed 
minister of the gospel at Setauket. 

By this marriage he became possessed of the property of his wife, 
located on the main road leading into Setauket from the south. The date 
of Samuel's marriage, to our mind, fixes the period when the homestead 
was erected. It is very typical of the class of dwellings erected during 
the first part of the eighteenth century or the last part of the seventeenth. 
No mention is made of the property after Samuel's marriage, except 
to say that it descended from father to son, and we think that such a 
careful compiler as the historian would have mentioned the fact if a new 
dwelling had been erected. Samuel was a farmer, who lived and died in 
Setauket. Old documents show that he spelled his name "Tomson" or 
"Tompson," which was changed to "Thompson" by the next generation. 

As early wills are always interesting and give an insight into the 
lives led by our ancestors, we will insert at the proper points in this nar- 
rative the wills of the three earliest owners of the Thompson homestead. 
The last will and testament of Samuel Tompson, the first owner, is here- 
with appended: 

47 



Historical Miscellanies 

Will of Samuel Tompson — 1745 
In the name of God Amen I, Samuel Tompson of Brook- 
haven in Suffolk County on Long Island in the province of 
New York Gentleman being in health of body and of sound and 
disposing mind and memory for which I thank my good and 
gracious God for the same yet calling to mind the uncertainty of 
this frail Life and the certainty of death doe make this my last 
will and testament in manner and form following first and prin- 
cipally I commend my soul to God my Creator trusting and rely- 
ing in his Mercy through Christ my Saviour for Salvation and 
my mortal Body I recommend to the earth to be decently Buried 
in such manner as my Executors hereafter named in their dis- 
cretion shall think fit and for such worldly substance and estate 
as God of his great Goodness hath blessed me with I give devise 
and bequeath the same in manner and form following that is to 
say Imprimis I give and bequeath to my dearly beloved wife 
Hannah Tompson all my moveable estate of Cattle Sheep house- 
hold goods and Furniture what kind or quality soever together 
with the Sole use and benefit of and in my dwelling House and 
Barn without any Molestation with the use and benefit and im- 
provement of all and singular my Lands thats now in my pos- 
session except such part and parts as I have hereinafter other- 
wise bequeath To Have and to hold the same unto my said lov- 
ing Wife for and during the term of her natural life my said 
moveable Estate of Cattle Sheep household goods and furniture 
to be disposed of at her death as is hereafter particularly men- 
tioned. Item I give devise and bequeath unto my son Jonathan 
Tompson all my horses plows Charts and all my farming tack- 
ling together with all my stock of Cattle and Sheep to be pos- 
sessed and enjoyed by him after his mother's decease also my 
servant Sharper (not to be sold) to have and to hold the same 
unto my said son Jonathan and to his heirs and assigns forever 
Item I give and bequeath to my daughter Mary two Silver 
Spoons also a Negro girl called Sylvia and to her heirs and 
assigns forever Item I give and bequeath to my eldest daughter 
Sarah two Silver Spoons and to her heirs and assigns forever 
Item I give and bequeath to my daughter Deborah her heirs and 
assigns forever my Negro girl called Priscilla also my two Silver 
Spoons. Item I give and bequeath to my daughter Susanna 
heirs and assigns forever two silver spoons also my servant 

48 



Long Island 

Jenny she paying to my Executors hereafter mentioned fifteen 
pounds Item I give and bequeath to my Grandson Samuel Tomp- 
son, the son of Jonathan my Silver Tankard Item I give and 
bequeath to my Grand-daughter Mary Tompson my chest of 
drawers Item it is my will that all my other household Goods 
and furniture after my loving wifes decease be equally divided 
between my five daughters Sarah, Mary, Deborah Ruth and 
Sussanah to continue and be to them and their Exrs. and assigns 
respectively forever. Item it is my will that my servant priscilla 
shall be free to choose her a Master or Mistress to live with any 
of my children as she shall think fit Item it is my will and I do 
hereby appoint my Executors hereafter mentioned to sell my two 
negro Children Frank and Tony and the money arising thereby 
together with the fifteen pounds be paid by my daughter Susan- 
nah and what money I have now by me put out to interest which 
sum and sums of money together with all other sum and sums of 
money in anywise due or owing to me I give and bequeath the 
same unto the children of five daughters Sarah Mary deborah 
Ruth and Susanah to be equally divided between them share and 
share alike to be paid them as they shall respectively come to 
age by my Executors which said sums to each and every of them 
so to be paid shall be and continue to them and their respective 
heirs and assigns for ever and if it should happen that any of 
them doe dye before age then his her or their part or parts shall 
be equally divided among those that shall survive. And lastly I 
do hereby Nominate Constitute and appoint my loving son Jona- 
than Tompson, daniel Smith and Thomas Strong of Brookhaven 
the only sole Executors of this my last Will and testament and 
I do hereby revoke all others heretofore by me made. 

In witness whereof I the said Samuel Tompson have to this 
my last Will and Testament sett my hand and seal this twenty- 
third day of April in the year of our Lord one thousand seven 

hundred and forty-five. 

Samuel Tompson (L. S.) 

Signed Sealed delivered and declared by the said Samuel 
Tompson as his last will and testament in the presence of us 
the subscribers 

John Tooker 

Daniel Reeve 

Arthur Buchanan. 

49 



Historical Miscellanies 

The next owner was Jonathan, eldest son of Samuel, who was born 
October 25th, 1710; married Mary, daughter of Richard and Mary Wood- 
hull, and died June 5th, 1786, aged 75. Jonathan became proprietor of 
all his father's real estate by devise and was born and died in the old 
house. He filled the office of Justice of the Peace for many years and 
was a leading man in the town most of his life. As the historian says, 
"He lived to see the object of his highest wishes fulfilled; the inde- 
pendence of his country and the prosperity of his family." During the 
Revolution he served in Colonel Smith's Regiment and in Colonel 
Drake's Provisional Regiment. He also signed the Association of 
Suffolk County, which pledged its subscribers to Support the Continental 
Congress — the governing body during our War for Independence. 

Will of Jonathan Thompson — Dated March 15th, 1783 

In the Name of God Amen the fifteenth day of March in the 
year of our Lord one thousand seven hundred & eighty three I 
Jonathan Thompson of Brookhaven in the County of Suffolk and 
Province of New York having my understanding good & being 
of perfect mind and memory thanks be given to God therefor 
and calling to mind the mortality of my body and that it is ap- 
pointed for all men once to die Do make and ordain this present 
writing to be my last Will and Testament that is to say in the 
first place I give and recommend my soul to the hands of God 
who gave it and for my body I recommend it to the earth to be 
buried in a Christian like and decent manner at the discression 
of my Executors hereinafter appointed And as touching my 
worldly estate I give devise and dispose of the same in the fol- 
lowing manner and form First I order that all my just debts 
and funeral charges be paid and satisfied — I give and bequeath 
unto my Wife Mary two beds and bedsteads with suitable furni- 
ture for the same of such as I have in my house and also a case 
of draws and a silver tankard and six silver spoons which said 
.draws tankard and spoons are the same that came to me from 
my Wives father and also six common chairs and one great chair 
and six plates, two platters, three basons and six Knives and 
forks, and two cows and calves and also my black boy named 
Andrew I give to my son Samuel Thompson to him his heirs & 
assigns forever my dwelling house and all my other buildings 
and all my lands and meadows and commonage rights that I 
have in the Township of Brookhaven. Also I give and bequeath 

50 



Long Island 

to my son Samuel my negro man named Sharper and all my 
farming tackling on the north side and also one yoke of oxen and 
and one bed and bedstead with suitable furniture for the same 
and further it is my will and I do order my son Samuel to pay 
unto my daughter Mary Smith the sum of one hundred pounds 
current money of New York and also the like sum of one hun- 
dred pounds to my daughter Hannah Strong the said sums to be 
paid at my decease. I give to my son Isaac Thompson to him 
his heirs & assigns forever all that my farm or neck of land and 
meadow at the south side the Island lying in the Township of 
Islip and is commonly Known by the name of apple tree neck 
together with all the buildings and improvements belonging to 
the same. And further it is my will and I do order my said son 
Isaac to pay unto my daughter Mary Smith the sum of one 
hundred and fifty pounds current money of New York and also 
the like sum of one hundred and fifty pounds unto my daughter 
Hannah Strong; the said sums to be paid at my decease. And 
further it is my Will and I do order that all my movable estate 
which is not otherways disposed of by this Will except money 
be equally divided between my son Samuel and my two daugh- 
ters Mary Smith and Hannah Strong and concerning what 
money bonds or notes I shall leave at my decease it is my Will 
and I do order my Executors hereinafter appointed first to pay 
all my just debts and funeral charges out of the same and then 
what remains I do order to be equally divided between my two 
daughters Mary Smith and Hannah Strong. Lastly I do con- 
stitute and appoint my two sons Samuel Thompson & Isaac 
Thompson Executors of this my last will and testament. In 
Witness whereof I the said Jonathan Thompson have hereunto 
set my hand and fixed my seal the day and year above written. 
Signed sealed published pronounced and declared by the said 
Jonathan Thompson as and for his last will and testament in the 
presence of the Subscribers who subscribed as Witnesses in the 
presence of the Testator. 

Jonathan Thompson (L. S.) 

Jonathan's eldest son was Samuel, generally called Dr. Samuel, who 
upon the death of his father became the owner of the homestead. He 
was born October 2nd, 1738, and died September 17th, 1811, aged 73. 
He devoted himself to agricultural pursuits very assiduously during 

51 



Historical Miscellanies 

early life in spite of ill health and even later while practising medicine 
found time to exercise a supervising authority over his extensive acres. 

At the age of thirty he commenced the study of medicine, being 
induced to embrace it partly from a natural relish for the science and 
also to discover the causes of his own complaints and find some remedy 
for their relief and removal. After the usual course of study he entered 
upon the duties of his profession and soon became known as a successful 
practitioner, which reputation was sustained until ill health, a few years 
before his demise, forced him to relinquish his practice. 

He was a firm believer in the efficacy of shells mixed with wood ashes 
and lime as a soil fertilizer and used Indian shell banks for this purpose; 
disintegrating the deposits and spreading them over his fields. In this 
way he fertilized about one hundred acres at the rate of ten hundred bush- 
els to the acre. His expectations were fulfilled and the land showed the 
beneficial efifects of this treatment after thirty years of cultivation. 

We will digress here from our genealogical account and give the 
reader some idea of the present appearance of the old house as it strikes 
the eye of the interested beholder. 

The particular locality where the house stands was anciently known 
as Nassakeag and is so called on several of the old deeds. Nassakeag 
was the Sachem of the Nissequogue Indians, whose domain adjoined 
this vicinity. Whether the place derived its name from being his resi- 
dence or the Chief appropriated the name of the neighborhood for his 
own title or cognomen is not definitely known. I think the latter suppo- 
sition is more plausible, as a similar word in the Chippewa language 
signifies "swamp," which was characteristic of the place. Even today 
there are several springs on the Thompson farm and a small stream 
whose bed is sometimes dry takes its sluggish course towards the mill- 
pond and thence to tidewater. The locality is now known as South 
Setauket. 

The house sits rather near the road, facing west, and probably was 
considered large in the old days — it is sizable even now. Rectangular in 
shape, your first impression is one of solidarity and honesty, if such a 
characteristic may be applied to a dwelling — and why not, for an ancient 
scholar has said that "the traits of men are woven into that which is 
wrought by their hands." Although the venerable structure is fast run- 
ning to decay and "dust from dust," several points still strike the eye, 
principal of which is the doorway, a rather good example of colonial 
treatment, with lengthy vertical panels and knocker high above; not 

5» 



Long Island 

omitting the traditional "peep" windows on either side. Wood-shed, 
smoke-house and other out-buildings are in the rear. 

The proportions of the house are also pleasing and the window 
placement has been well thought out and helps to give a substantial 
appearance to the dwelling. 

Sad to say, the furniture and fittings, except mantels, have been 
removed, for it is used as a tool house by the agriculturist who is the 
present owner. An ignominious ending, you say, which is true; perhaps 
fortune may yet smile on the old house and cause it to come under the 
control of someone who will restore and protect it. 

Back of the homestead and to the east on a commanding blufif, the 
family burial place is found. Enclosed by a rustic fence and shadowed 
by noble trees, it presents an appearance of rural simplicity — "calm peace 
and quiet" — which is befitting the abode of the dead. 

Fortunately a very interesting account of life in the old house during 
the early years of the past century has been preserved to us in the shape 
of Dr. Samuel Thompson's Journal or Diary, which is in the possession 
of Mr. Orville B. Ackerly, a well-known authority on our Island's his- 
tory. Two volumes have been saved, the first from March Sth, 1800, to 
February 9th, 1801 ; the second from November, 1802, to May, 1805. 
Besides telling us of life in the old house, they give an excellent idea of 
country life in the old days — of the work and play of our ancestors, and, 
lastly, quite a bit of local history. For these reasons we may be par- 
doned for tarrying awhile with the Doctor's journal. 

To begin with, the diary shows us that the farmer of 1800 or there- 
abouts was absolutely self-supporting. By dint of thrift and hard labor 
he raised or wrought everything that his life required. The cultivation 
of the soil was, of course, his main reliance. On it he grew the various 
farm products and sold them to his unagricultural neighbors or shipped 
them to a more distant market. Along with the farming went cattle and 
sheep raising, wood-cutting in the winter time, raising flax for linen, 
and other pursuits. 

Doctor Thompson, if nothing else, was a versatile husbandman and 
time was never allowed to lag on his premises. He was an extensive 
grower of flax and there are constant references to large sales of this 
useful material. Setauket seems to have been a center for its cultivation 
and Flax Pond is a reminder of an industry now forgotten. To this sheet 
of water the growers brought their stalks and steeped or "retted" them 
until the fibre was loosened from the core or rind. The stalks were then 
placed out to dry and the fibre, which produces our linen, was completely 

53 



Historical Miscellanies 

separated from the core. Retting must be done in fresh water and in 
those days the pond had no connection with the Sound. After the sub- 
sidence of flax cultivation an inlet was cut from Sound to pond and the 
water now is salt. Most of the flax comes from Russia and very little 
is made in this country at the present time. 

Wool from the sheep was spun into cloth by the women folks. Local 
tailors would come to the house and make clothes for whoever needed 
them. Isaac Smith and Sally, his wife, were the local wielders of the 
shears and needle, and we read that "Isaac Smith comes and cutts out a 
coat for Franklin and trowsers and charges 2 shillings. Takes them home 
for Sally to make." Again we read, "Isaac Smith came here and cutt 
me a pair of britches and I pay him 1 shilling 6 pence for cutting them 
and a jacket for Franklin." Surely a modest charge for britches! Frank- 
lin is, of course, his son, Benjamin Franklin Thompson, who is revered 
by every student of Long Island's history. They did not even stop at 
shoes and we often read of John Duick "who helps us with the shoes." 
Ink also was made at home and on June 10th, 1800, "made some ink 
this day." 

The holding of negro slaves was, of course, on a very small basis as 
compared with the South, but a few farm laborers and household ser- 
vants could be found on most any large estate throughout the Island. 
They were kindly treated, generally contented with their lot and occa- 
sionally freed by indulgent masters. William S. Mount, the noted artist, 
has preserved for us many rural scenes in which the early Long Island 
darkies disport themselves. He was admittedly the first American painter 
to make a serious study of negro physiognomy and character, and they 
figure in his most famous canvases. The following document executed 
by Dr. Thompson shows the method of buying and handling slaves: 

Brookhaven,* October the 30th 1800 

This is to certify to all persons whom it may concern that in 
the month of August last I bought of Stephen Sweezey a negroe 
man named Killis and was to pay him one hundred and ten 
pounds at the end of three months for him I paid him the money 
for him as by the Bill of Sale he gave me for him will shew. 
My promise to the negroe man was that if he would and did 
really serve with me or my assigns or heirs: as it may happen to 
be as a good and faithfull serveant for the space of twelve years 



* Brookhaven is the town of which Setauket is a village. 

54 



Long Island 

from the day he first began to labour for me which was on 
Munday the 18th day of August 1800: that then and in that case 
he should be Emancipated and made free at the end of the 
twelve years, he continueing to conduct himself well and not 
otherwise. Now it is my will that in case he lives and does con- 
duct himself as aforesaid for the space of twelve years as afore- 
said and is at that time and age of sufficient ability to get his own 
liveing and that the Trustees or Court in whose power it may be 
to Emancipate him will consent thereunto and will give their 
Certificate to Emancipate him: in that case it is my will that my 
Executors or Heirs or they to whom I may assign him to in 
my family and that he the said negroe man does continnue to 
live with or in my family and serves them and conducts himself 
well as aforesaid at that time it is my will and I do order that 
he be Emancipated and made free according to my promise made 
to him and not otherways and that in case he is made free he 
have his wearing appearel delivered to him. In witness whereof 
I have hereunto Set my hand and seal in Brookhaven this day 
and year above written and also it is my will that my three 
young negroes be made free also as they shall arrive at the age 
of thirty years old. 

Samuel Thompson (seal) 

The observance of New Year's Day was a great event among the 
colored folk and was generally celebrated with much hilarity and danc- 
ing, not to mention frequent libations from "the cup that cheers," which 
generally put the imbibers thereof into such a state that anything 
approaching work on the morrow was entirely out of the question. 
Another curious custom was the celebration by the negroes of Wick- 
Tuesday in January, "a day set apart to serve Satan." This was undoubt- 
edly a survival of some ancient African practise of worshipping the evil 
spirit adapted to the biblical Satan. 

For food the farm produced everything that was needed — wheat, 
potatoes, cabbages, corn, and apples, which were made into cider at 
Benjamin Hawkins' cider press at Nassakeag. Pigs were killed in the 
fall and supplied ham, bacon, lard, sausages and salt pork. Directly 
behind the dwelling there was a smoke house, with no opening save a 
door. In this structure the hams and bacons were hung from the ceiling 
or from rods running from wall to wall. A fire was made beneath them, 
so kindled that it gave forth a large amount of smoke, which imparted a 
very delicious flavor to the viands. 

55 



Historical Miscellanies 

Visiting cabinetmakers or joiners made the household furniture and 
Dr. Thompson tells us that "John Bayles makes a cabbin bedstead in the 
corner of the backroom." The worthy Mr. Bayles also did odd jobs of 
carpentry that were beyond the skill of Dr. Thompson and his servants, 
such as making new cellar doors, additional closets or rearranging the 
rooms. Charles Dallas did the plastering of the rooms and "John Rog- 
gers & Nathaneal Gerrard" were masons and "came here to work to 
build a stove chimney in my South Room and brought forward the back 
of the chimney in my North Room and laid three hearths in my fire- 
places." To give an idea of what charges these workmen made w^will 
quote again: "I settle all accounts with John Bayles and pay him 12 
shillings for three days work at his trade at six shillings a day. 36/0." 
For another day's work John Roggers, mason, is paid four shillings and 
Bayles, the carpenter, six. It is interesting here to note that household 
receipts and expenditures, also everyday financial deals among neighbors, 
were always calculated by pounds, shillings and pence, a reminder of the 
colonial days in the not very distant past. On the other hand, all legal 
transactions, such as payment of taxes, receipt of pensions, etc., were 
expressed in dollars and cents, the currency of the new nation. The 
colonial monetary system for common transactions held out for a few 
years after the period of the diary (1800-1805), especially in the country 
districts, but was finally displaced by the new coinage, which did not 
savor of bondage to a foreign power and comported better with the 
democracy of a republic. 

During the spring of 1804, Dr. Thompson decided to erect a new 
barn, and on the morning of June 15th he made an arrangement with 
Daniel Overton, a carpenter, and his two apprentices to undertake the 
work. They were to be paid for their labor at the rate of 12 shillings a 
day for the three men and the Doctor to supply all materials. The work 
of pulling down the old barn was immediately started and completed in 
a day or so. Thereupon Overton drew a plan for a new barn 46 feet long 
by 40 feet wide, with corner posts 15 feet tall and slanting roof much 
higher. This was a pretty big structure for those days and the attention 
of the family and neighbors was centered upon it during the entire period 
of construction. The timber was cut from the wooded lots on the farm, 
being trimmed and squared for beams and rafters and flatted for boards 
on the spot by the carpenters. By the 3rd of August all the timber was 
prepared and the sills of the structure laid upon the ground; thereafter 
the attention of the carpenters was fixed upon the frame, which was 
rapidly being put together. Material for flooring, stalls and partitions 

56 



Long Island 

which could not be advantageously prepared at the farm were purchased 
in New York and carried to Setauket harbor by sloop and from thence 
transported in wagons to the scene of operations. Shepard Mount, an 
ancestor of William S. Mount, Long" Island's noted artist, was Dr. 
Thompson's purchasing agent and he says, "August 11th, this day put 
into Shepard Mount's hands sixty dollars to purchase boards for me at 
New York." The boards arrived on the 23rd instant; all hands repaired 
to the harbor and carted them to the farm, seven hundred boards — no 
less, not forgetting nails and other fittings. 

Thus the work went on, some working on the framing braces and 
studs, while others devoted themselves to the manufacture of shingles. 
At last everything was in readiness for the barn raising, a day of days 
and a social event of no mean proportions. On Thursday, October 4th, 
the Doctor's son, Benjamin F., rode forth on the bay mare to invite the 
neighbors to attend the auspicious event on the following Saturday. 
Friday was a day of preparation not only for the barn, but for the 
appetites and thirsts of the expected guests on the morrow. Saturday 
dawned "pleasant and clear" and without a single adverse incident to mar 
the festivities, the frame of the "great new barn" was raised and the 
structure dubbed "The American Patriot"! 

After raising, the work of completion went forward rapidly and 
shingles, windows, floors, partitions and, lastly, painting were all fin- 
ished. Finally the great doors were hung on their hinges on Novem- 
ber 23rd and the first load of hay put in on the same day. 

We have gone into some detail about the old barn, not because the 
barn itself was important, but to show the old-time method of building, 
when materials for the most part were fashioned at home, when all hands 
did their part and, most important of all, to perpetuate the account of an 
old-fashioned raising, a homely custom which has long since passed into 
fond oblivion. 

A reference or two more to the diary and we will close our account 
of Dr. Thompson and his life in the old house. 

Besides the general store in the village kept by Isaac Satterly, our 
ancestors were supplied with calicos, muslins, hardware, books and a few 
luxuries such as silver knives and forks, through the visits of New Eng- 
land peddlers, who plied their trade through the length and breadth of 
the Island. An interesting story is told of a member of this gentry who 
arrived at Southampton on a Saturday, suffering from the measles. 
Desiring to make known his presence in the village, he attended divine 
service the following morning, in spite of a strong remonstrance on the 

57 



Historical Miscellanies 

part of his landlady, and by so doing inoculated a considerable part of 
the assemblage with the germs of his disease, from the ravages of which 
several individuals died. Needless to say, on the following day, perceiv- 
ing the evil he had started, the peddler attempted to escape, but was 
apprehended and brought back to town, where he experienced the joys 
of riding upon a rail through the streets, a ducking in the town pond 
and various other pleasantries of the same degree of delicacy. If the 
infuriated populace could have foreseen the dire and fatal results of his 
indiscretion, a more summary punishment would, no doubt, have been 
meted out. On the contrary, insult was added to injury, as the peddler 
sued his tormentors for assault, won his case and collected $1,000 
damages. 

Tea drinking was much in vogue in the early years of the past cen- 
tury and invariably this harmless but invigorating beverage was served 
when callers pressed or tourists rested their jaded steeds on the way 
to the east end towns, for it must be remembered that the old homestead 
stood on the main highway leading to the Court House at Riverhead; 
Southold, and Greenport. 

Two very interesting entries in the diary should here be chronicled. 
During February, 1805, a period of excessively low temperature prevailed 
and on the 5th instant Dr. Thompson notes: "very cold the sound froze 
over"; a truly rare occurrence. Again in May, 1804, Dr. Timothy Dwight, 
the famous President of Yale College, visited Setauket on his tour of 
Long Island. While at the village he was entertained by Judge Strong, 
on Strong's Neck, and Dr. Thompson makes note of the fact. The 
account of his journeyings was published under the title of "Dwight's 
Travels." It is a very well-known book and gives a wonderful insight to 
the state of the country at that period. 

A few touches of humor and we must say good-bye to the interesting 
old diary: 

"Sept. 4th 1800 John Brewster came here and paid me all my demands 
for cureing him of the third ague being the sum of three dollars." Cheap 
ague! Probably reduced rates for a steady customer. 

"July 30th 1800, Isaac Biggs looses his horse kills himself by running 
away with the sled." The horse, not Isaac. 

"Nov. 1st 1800 I rides to see my mother carry 2 pieces of pork." The 
Doctor was evidently a little weak on punctuation this day. 

Doctor Thompson's activities were not all confined to the farm, how- 
ever, as he was a member of the Long Island Militia during our War for 
Independence, and in other ways did his part in furthering the cause. In 

58 



Long Island 

the time of preparation preceding the actual conflict he was a Commit- 
teeman from Brookhaven Town and as such signed the Association, 
which pledged its subscribers to support the New York Provincial Con- 
gress and the Continental Congress at Philadelphia, which were the gov- 
erning bodies of the State and Nation, respectively, during the war. In 
the early days of the struggle before the Battle of Long Island, he held 
the position of Captain of the First Brookhaven Company in the First or 
Western Regiment of Suffolk County Militia and was on the organizing 
committee of the said Regiment. The Battle of Long Island was fought 
during August, 1776, at what is now Brooklyn, and the Americans were 
defeated. This reverse gave the enemy control of Long Island, whose 
defenders were in such small numbers that resistance was not to be 
thought of. Consequently the militia disbanded and many of the mem- 
bers repaired to Connecticut and joined the patriot forces stationed there. 
Thompson's company was dispersed along with the others and he 
crossed the Sound to Connecticut with his father's family, as did many 
other refugees. It is probable that he saw service while absent from 
Long Island, although there is no definite proof of this. His son, Ben- 
jamin F. Thompson, the historian, states that he was never in any con- 
siderable engagement, which would seem to infer that he might have 
been engaged in some minor skirmish. There is a record of a Samuel 
Thompson in several of the regiments during the war, but it is impos- 
sible to positively identify any mention of this Samuel with our subject. 

Doctor Thompson made valuable surveys of Setauket and Stony 
Brook harbors, together with a description of the lands and beaches 
between them, including lengths and distances. These, at the instiga- 
tion of the Suffolk County Committee, he sent to the New York Pro- 
vincial Congress and they were received on February 15th, 1776. 

He returned to Long Island during the War and his standing as a 
physician probably absolved him from molestation on the part of the 
enemy. His son, Benjamin F., speaking of his father, remarks as fol- 
lows: "My father died on the 17th of September, 1811, and was buried in 
the family burial ground by the side of my mother on the 18th. His 
health had declined for some years and he was scarcely able to walk 
about, being afflicted by rheumatism and calculous complaint. He lay in 
a comatose state a day or two before his death and expired without a 
struggle. Thus died a man whose memory it becomes me to cherish 
with affectionate regard. If he had failings they were such as apper- 
tain to men by nature. A mind active and vigorous, with a constitution 
worn down and debilitated by hypochondria and other nervous affections, 

59 



Historical Miscellanies 

he attained to an age past the usual course of human life and died at the 
age of seventy-two." 

Will of Dr. Samuel Thompson — Dated July 25th, 1810 

In the name of God Amen I, Samuel Thompson of the Town 
of Brookhaven, County of Suffolk and State of New York Physi- 
cian being weak in Body but of sound disposing mind and mem- 
ory thanks be to God for the same and calling to mind the mor- 
tality of my body Knowing that it is appointed unto man once to 
die do therefore make and ordain this my last will and Testa- 
ment in manner following Imprimis I give and bequeath unto 
my son Samuel Ludlow Thompson all my real Estate to him his 
heirs and assigns forever togather with all my Servants Stock of 
Cattle Horses and small stock with all my farming utensils my 
silver Tankar Desk and watch also one half of my household 
furniture and do hereby direct my Executors after named to 
Keep all the Estate aforesaid both real and personal in their 
hands untill my said Son Samuel shall arrive at the age of 
twenty one years then they are to put him in possession of the 
same Iteme I give and bequeath unto my son Benjamin Frank- 
lin Thompson the full sum of one thousand Dollars to be paid 
him by my Executors after named as soon as may be convenent 
after my decease. Iteme I give and bequeth unto my Daughter 
Mary Woodhull Thompson the sum of two thousand dollars to 
be paid to her at the day of her marriage or when she shall 
arive at the age of twenty one years to be left at the discretion 
of my Executors and to be let at Interest on real security for 
her use also I give her the previledge of a home in the room 
and Bedroom which I have given to her mother. Iteme I give 
unto my well beloved wife Ruth all the remaining part of my 
household furniture not heretofore disposed of together with 
the sum of thirty dollars yearly and every year as long as she 
shall remain my widow to be paid to her by my Executors out 
of the profits arising from my Estate and on giving up the same 
to my Son aforesaid tak such security from him for the payment 
of the same as will secure it to her for the time aforesaid I 
also give unto my wife Ruth the north room of my house with 
the adjoining Bedroom a priviledge of the Kitchen and cellar 
and with all the carpiting belonging to the said Rooms with the 
previledges of Keeping two cows for her own use these previ- 

60 



Long Island 

ledges to hold to my said wife Ruth so long as she remains my 
widow Iteme I order my son Samuel Ludlow Thompson when 
he arives at the age of twenty one years to pay unto my son 
Benjamin Franklin the sum of one thousand dollars in fore equal 
and yearly payments and if he shall refuse or neglect to perform 
the same and not pay the four several sums yearly as they 
become due in that case I order and direct my Executors to dis- 
pose of and sell so much Timber or other moveable property as 
will discharge the Legacies aforesaid as they shall become due 
Furthermore my will is that if my Son Samuel Ludlow shall die 
under Lawfull age leaving no lawfull issue in that case all the 
Estate given to him as aforesaid shall be equilly divided between 
my wife Ruth Thompson and my son Benjamin Franklin Thomp- 
son and my daughter Mary Woodhull Thompson one third to 
each and to their heirs and assigns forever I also order all my 
just debts to be paid by my Executors and to enable them to 
pay the same togather with the Legacies aforesaid I charge my 
whole Estate I further direct my Executors at my decese to 
take charge of all my Estate real and personal and out of the 
profits arising from the same to keep my Family togather and 
give my Children a decent English Education and should there 
remain any surplus money my will is that it should be applid toards 
the payment of the Legacy my son Samuel is ordered to pay to 
my son Benjamin as hereinbefore directed Lastly I do nominate 
constitute and appoint my well beloved wife Ruth Thompson 
Executrix my trusty and well beloved friend Isaac Thompson 
of Islip and Isaac Smith and Richard Smith Brothers to my 
wife all being in and of the said County of Suffolk Executors of 
this my last will and testament requesting them to take the bur- 
den of the same on themselves In Testimony whereof I have 
hereunto set my hand and seal this twenty fifth day of July in 
the year of our Lord one thousand eight hundred and ten 
Signed Sealed published and declared by the said Samuel 
Thompson as and for his last will and testament in the presents 
of the subscribing witnesses 

Samuel Thompson, (L. S.) 
John Bayles 
Benjamin Hawkins 
Benjamin Hawkins, Jun. 

6i 



Historical Miscellanies 

Whereas I Samuel Thompson of the town of Brookhaven 
County of Sufifolk and State of New York Physician have made 
my last will and testament in writing bearing date the twenty 
fifth day of July in the year of our Lord one thousand eight hun- 
dred and ten and have thereby appointed my wife Ruth Thomp- 
son Executrix and my trusty friends Isaac Thompson of Islip 
and Isaac Smith and Richard Smith Brothers to my wife all 
being in and of the said County of Suffolk Executors of this my 
last will and testament but for divers causes it appears to me 
necessary to make some additions to my said last will and testa- 
ment first it is my will and I do Order that my daughter Mary 
have a home in my dwelling house so long as she remains Sin- 
gle and further I do constitute and appoint my trusty friends 
Thomas S. Strong and Isaac Brewster Executors to my said in 
part recited last will and testament and lastly it is my desire that this 
my present codicil be annexed to and made a part of said last 
will and testament to all intents and purposes in witness whereof 
I have hereunto set my hand and Seal this eighth day of August 
in the year of our Lord one thousand eight hundred and Eleven 
Signed Sealed published and declared by the above Named Sam- 
uel Thompson as a codicil to be annexed to his said last will and 
testament 

Samuel Thompson (L. S.) 

John Bayles 

Selah Strong 

William Jayne 

We now approach some mention of that individual whose birth and 
years spent in the old house are its chief bids to fame — whose full and 
useful life draws the attention of the passer-by to its weatherbeaten shin- 
gles and venerable appearance. We refer to Benjamin Franklin Thomp- 
son, author of "The History of Long Island," which is a guiding star for 
all those who would travel back along the interesting paths of our 
Island's history. In truth, his historical achievements have carried his 
renown through succeeding generations and have made his name a 
household word among book-lovers and those who are interested in 
Long Island and its history. 

As an account by the writer of Thompson's famous book and his 
historical and genealogical achievements in general appeared in a third 
edition of the work recently published under the editorship of the author of 
this volume, we shall reprint it here as follows: 

62 



•# 



lEvasffHrssMs^iCT^ v^r 



BENJAMIN F. THOMPSON 
From a pencil sketch made by Shepard A. Mount in I 838 



Long Island 

"For many years previous to the appearance of the first edition of 
the 'History' he visited every county and town office on the Island, w^here 
he consulted the records of the respective counties and towns and inter- 
viewed hundreds of individuals possessed of historical records or who 
themselves were participants in the stirring events of the past. Thomp- 
son lived in a fortunate age for historical compilation. During the early 
part of his life many of the heroes of the Revolution were still alive and 
could tell him with their own lips of the interesting scenes they had writ- 
nessed. An added advantage was his close acquaintance with the his- 
torians and authors of his time, such men as Washington Irving, George 
Bancroft, E. B. O'Callaghan and Justice Kent. From these he obtained 
hints and helps in his laborious undertaking. 

"Not content with investigating on Long Island, he examined the 
archives of the Secretary of State's office at Albany and the historical 
collection of New York City to further aid his task. Many of Long 
Island's first settlers came from New England, and in order to familiarize 
himself with their antecedents, he made a tour of the several States in- 
cluded in this territory and visited the larger libraries of Boston, Cam- 
bridge, Salem, Hartford, Worcester and New Haven. 

"Thompson's history is to day recognized by all as the premier authority 
on Long Island, and this enviable position was won by the indefatig- 
able researches and keen judgment of its author. In searching for his- 
torical accuracy, he carefully weighed every fact that came to his notice 
and never accepted a statement until it was thoroughly confirmed. He 
believed that a strict impartiality should be the aim of the true historian 
and that he should at no time descend to the level of an advocate or spe- 
cial pleader for any one class of persons or section of territory. 

"Thompson was a methodical man and arranged his material in such 
a way that his book became a model for local histories. The reader will 
find that the Island as a whole is first dealt with — the counties are then 
touched upon and finally a detailed treatment of the several towns is 
offered. As Washington Irving said, 'it is quite a mine of local history.' 

"The first edition was published at his own expense in 1839 by Eli 
French, 146 Nassau Street, New York, and was quickly disposed of. In 
1843 a second edition, extended to two volumes, was brought out by 
Gould, Banks and Company, of 144 Nassau Street, New York, at the 
joint expense of author and publisher. The entire edition was exhausted 
in twelve months and many orders had to be refused. As Thompson 
says, 'an edition three times as large could have been disposed of.' 

63 



Historical Miscellanies 

"As these facts indicate, the merits of the book were immediately 
appreciated by the public and it received the universal approbation of the 
press. Very flattering letters were received by the author from such men 
as Washington Irving, George Bancroft, Henry Clay, William H. Seward 
and others, of lesser importance. A more concrete evidence of the 
esteem in which his historical labors were held is the fact that he was 
the recipient of not a few honorary and corresponding memberships in 
the best known historical and genealogical societies. Among these may 
be mentioned The New York, New Jersey and Connecticut Historical 
Societies, the New England Historic-Genealogical Society and the 
Brooklyn City Library. 

"Thompson continued his historical investigations up to the time of 
his death. He felt that ancestry and environment called on him to pre- 
serve the traditions of his native Isle for future generations and to the 
work he gave his best talents. 

"The last years of his full life were spent in rewriting considerable 
portions of the book and incorporating therein a great quantity of valu- 
able historical information hitherto unpublished, the result of final inves- 
tigations in his chosen field. A short time before his death the complete 
manuscript was finished and ready for the printer's hands. From that 
manuscript this book is printed and its publication is a fitting memorial 
to the man and his accomplishments. 

"One year after the appearance of the second edition, our subject 
read an essay on the Indian names of places on Long Island and was at 
the time chosen a member of a committee charged with the compilation 
of an Indian map of the State. 

"Thompson was in considerable demand as a lecturer upon historical 
topics and during his life appeared before many different societies and 
lyceums. 

"His death in 1849 was untimely in many ways. During the last few 
years of his life he devoted himself to the collection of material for a 
contemplated history of Staten Island and if he had been spared, the 
undertaking would have been accomplished. Much of his correspondence 
with prominent men and antiquarians of Staten Island is in existence 
and exhibits their hardy cooperation in the work. His talents as a his- 
torian were then widely known and his embarkation upon the task cre- 
ated considerable interest. 

"A genealogy of the Lawrence Family and a work on Curious 
American Epitaphs also engaged his attention, but these, too, were 
stopped by the stern hand of death. While on this subject, it is proper 

64 



Long Island 

to remark that he was constantly appealed to for the compilation of 
genealogies for Long Island families, and his endeavors in this line 
formed a start for future genealogists of the Island. Many present-day 
workers consider Thompson the best authority on the subject. At his 
death he left accounts of practically all of the native families, some of which 
have been included as an appendix to the third edition of his 'History of 
Long Island' before mentioned." 

To say that Thompson was solely a historian is to give him scant 
justice. The work of recording the interesting history of his native Isle 
is, of course, his chief and successful bid for fame, but he is also remem- 
bered as the best known and most learned attorney of his time on Long 
Island, as a District Attorney, legislator, Justice of the Peace, genealo- 
gist, and encourager of the arts and sciences. As is to be expected of a 
man of wide attaniments, he enjoyed the friendship and esteem of many 
literary and public men of his period. 

We will now retrogress a little and give an account of his early life 
in the old house in which he lived from his birth in 1784 until the spring 
of 1812. He was born on May 15th, 1784, the second child of Dr. Samuel 
Thompson (before mentioned) and Phebe Satterly, his first wife, who, 
of a rather frail constitution, but amiable disposition, died on July 
7th, 1793. 

At this point we will again reprint from the author's biography of 
Thompson in the "History of Long Island": 

"Thompson's father was of a studious nature and saw to it that his 
young son began his education at an early age. The boy's first schooling 
was had with an old lady in the neighborhood, the wife of Timothy 
Tooker, familiarly known as Aunt Dinah. Under her auspices he mas- 
tered the alphabet and surmounted the difficulties of the New England 
Primer. 

"His next instructress was Miss Charity Rogers, who, belying her 
name, was 'of a disposition irregular and tempestuous,' and whose temper 
could only be assuaged by venting it upon her unfortunate scholars. 

"Thompson's mother died in 1793 and in October of the following 
year, at the age of ten, he entered the Academy at Easthampton and 
boarded at the household of Judge Abraham Miller in the village. In 
March, 1795, Thompson's father contracted a second marriage with Ruth 
Smith, daughter of Timothy and Seviah Smith, of Setauket, and during 
the following month young Benjamin returned to Setauket and attended 
the village school until October, 1796, when he entered the Academy then 

65 



Historical Miscellanies 

lately erected at Huntington, and pursued his studies there for a period 
of six months." 

As soon as the boy was old enough he began to help with the farm 
work and as early as 1800, when he was 16, we find constant references 
to his daily jobs, in his father's diary referred to before. 

At an early age he evinced a desire for education and professional 
activities and it was decided that he should join the student body of Yale 
College at New Haven. With this end in view, in July, 1801, he began 
preparations for admittance under the instruction of Rev. Dr. David 
Ely of Ripton Parish, Fairfield County, Connecticut, and in September, 
1802, joined the freshman class of the College, which at that time was 
presided over by the learned Dr. Timothy Dwight, who, as we have 
mentioned before, made a tour around Long Island in 1804. Frequent 
mention of the young man's stay at Yale is made in his father's diary 
and on December 18th, 1802, we read, "I write a letter to Franklin and 
lodged it in the Post Office with a bond of 500 dollars to the President 
and managers of Yale College," and again on April 12th, 1803, "Dicke 
Smith . . . rides on the neck * and carries a letter for Franklin and 
130 Dollars of the Bank of New York to Joseph Strong to be carried to 
New York to go to New Haven for my son B. Franklin." 

In these days of general college education, it is hard to conceive of 
the prestige and loftiness attached to those who were so fortunate as to 
be able to go to "New Haven" or "Cambridge," as the case might be. 
For those destined for the ministry or law a form of high education was, 
of course, incumbent upon them, but for others it was a rare and not-to- 
be-forgotten advantage, and thus the frequent mention by Dr. Thompson 
of his son's college experiences is readily understood. 

In September, 1803, at the end of his freshman year, Franklin, as he 
was generally called, returned, and resumed his work on the farm. Much 
to his sorrow. Dr. Thompson felt that the cares of a large farm should 
be shared by his son, and Franklin was obliged to return to New Haven 
and obtain a permanent dismission from the college authorities. Thus 
on November 14th, 1803, "The Renown loads at Bank Lots Franklin 
goes aboard with his chest and things and 86 dollars I furnish him 
with." Having taken thirteen days to make the trip, accomplish his 
errand and settle his affairs at Yale, he returned to Setauket on the 26th, 
to wit: "Franklin returns to the Island with Joseph Hulse. Runs ashore 
on the beach at the point of the harbour on Mount Misery side gets his 



Strong's Neck. 

66 



Long Island 

things wet but lost nothing having gotten a Dismission from the presi- 
dent of Yale College haveing laid out in Books and paid away about 
Eighty Dollars in Cash. He thinks he had lost near thirty Dollars taken 
away in the summer before at college." Our readers will take notice 
that Mount Misery was aptly named in this case! On his return Thomp- 
son again took up his farm work and made the best of his lot. 

At this point our subject began to take an interest in public affairs, 
also literary matters, and it is one of the very interesting things about 
his life that even at this early age he soon became known as a man of 
parts and as one exhibiting good judgment and a correct understanding 
of the questions of the day. 

"His time was now divided between rural pursuits and the perusal 
of a few medical works procured from time to time, in addition to such 
books as his father's library contained. Thus we see that at an early age 
Thompson evinced a desire for the pursuit of a professional life. 

"From October, 1804, to the month of March following, he pursued 
medical studies under Dr. Ebenezer Sage, of Sag Harbor, a leading prac- 
titioner and Member of Congress from Suffolk County. In addition to 
these studies he spent the winter of 1806-07 in attending a course of lec- 
tures in the medical department of Columbia College and attended the 
clinics of the New York Hospital. On his return home he obtained the 
requisite authority to practise and immediately met with success. 
Thompson practised medicine for ten years and was well known for his 
skill throughout the neighborhood, although much of his time was taken 
up by farm cares and public offices. He finally relinquished his medical 
practise for the law, which seemed to offer better advantages for the 
display of his talents, in which supposition he was correct, as later events 
proved."* 

Thompson was the founder of a small Public Library at Setauket, 
known as the Franklinian Library, named in honor of Benjamin Franklin, 
the eminent patriot and savant. It only consisted of about 300 volumes, 
but was a great incentive towards self-education among the villagers. 
After a good many years of life, the institution was finally abandoned 
and the books scattered. If its founder had continued to live at Setauket, 
its fate would have probably been postponed during his lifetime. 

Among Thompson's many other public activities while a resident in 
the old house may be mentioned the fact that he was Assistant Clerk of 



• Reprinted from Biography in "History of Long Island." 

67 



Historical Miscellanies 

Suffolk County in 1811 under Ezra L'Hommedieu, the celebrated patriot 
and member of the Continental Congress. 

In the spring of 1808, he delivered an oration on the repeal of the 
Embargo Act which had been in force for some time on account of dan- 
ger to our shipping through the unscrupulous practises of foreign pow- 
ers then at war with one another; a situation which is somewhat approxi- 
mated at the present time by our neutral position in the great war. 

On June 12th, 1810, he was married to Mary Howard, daughter of 
the Rev. Zachariah Greene, "the fighting parson," who at that time and 
for many years thereafter was Pastor of the Presbyterian Church at 
Setauket. 

In the old days, as now, the Fourth of July was celebrated by appro- 
priate patriotic exercises in most every village in the land, and Setauket 
was no exception to the rule. In 1811 the exercises commemorating our 
national holiday were held in the Presbyterian Church and on this occa- 
sion Thompson delivered a political oration so much admired that a 
copy of it was forwarded to Thomas Jefferson, who gratefully acknowl- 
edged its receipt from Monticello, Va., under date of August 5th, 1811. 

When our country became involved in the second war with Great 
Britain in 1812, Thompson was commissioned Surgeon in Col. James 
Davis' Regiment of Brookhaven Militia, which helped in the work of 
guarding the shores of Suffolk County from marauding parties sent 
ashore by the British fleet stationed in Gardiner's Bay and Long Island 
Sound. His father-in-law, Rev. Zachariah Greene, was Chaplain of the 
same regiment. 

On June 2Sth, 1810, Thompson, together with Jonas Hawkins and 
Charles H. Havens, both of Brookhaven Town, instituted at Setauket a 
branch of the Tammany Society, whose headquarters were in New York. 
Our subject had joined the parent body in April, 1809, and was so 
impressed with its patriotic motives that he conceived the idea of start- 
ing a branch council of the Society in his own village. 

He was chosen Grand Sachem of the council, which immediately 
became very popular and on its first year of existence boasted of 109 
members. The council was known as Beaver Tribe No. 4 of the State 
of New York and No. 1 of the Island of Nassau.* 

It is known that Thompson was the originator and prime mover in 
the organization and it seems likely that the organization meeting and 



* The original manuscript volumes containing the by-laws, proceedings, list of mem- 
bers, etc., of this council are owned by Mr. Orville B. Ackerly. 

68 



Long Island 

subsequent assemblages were held in the old homestead. There is no 
positive evidence of this, as the records of the council make no mention 
of the meeting place, but this very omission in the writer's opinion points 
towards the old house. He thinks it very unlikely that meetings were 
held in a public building or else mention would be made of the fact. 
Public meetings were important events in the lives of our ancestors and 
the place of meeting, if in a public hall or school-house, was generally 
mentioned as giving somewhat of prestige to the movement. Perhaps 
some of our readers can throw some light on the question. 

To understand the full significance of the Tammany Society we 
must outline a little of the history of our land at this period. After the 
close of the War for Independence, the several States adopted the Consti- 
tution and thereby instituted the United States of America. The Fed- 
eral party were the Constitutionalists and it was owing to their strong 
and correct principles of centralized or federal government that our coun- 
try went safely through the many perils attendant to the founding of 
a new state and wrought itself into a nation. 

During the first twelve years of the nineteenth century, France and 
England were constantly at war and preyed upon our commerce — Eng- 
land being the chief offender. 

The Federal party being fearful of entangling alliances, were so slow 
in holding up our clear rights in the matter that the temper of the people 
was aroused against their old enemy, England. To further such patriotic 
feelings the Tammany Society came into existence and also in opposition to 
the ultra-aristocratic societies of the Federalists, such as the Society of the 
Cincinnati and others which encouraged class prejudices and smacked too 
much of the aristocratic tendencies of Great Britain for the rank and file 
to swallow. In short, Tammany was the expression of the common people 
and its branches or councils throughout the land did a good work in 
bolstering up the faint hearts of the Federalists and discouraging undemo- 
cratic ways of government. Finally the country could stand no more and, 
in 1812, war was again declared on England in spite of the Federalists. The 
struggle was the death knell of this party, and they never regained their 
supremacy or prestige and soon after became non-existent, for no party 
can live which is opposed to a war in which the whole country is engaged. 
Thus the council at Setauket was part and parcel of the republican wave 
which, sweeping over the country, finally culminated in the successful war 
above mentioned. Those opposed to the Federalists were known as Demo- 
cratic-Republicans and, finally, simply as Democrats. They were the fore- 

69 



Historical Miscellanies 

runners of the Democratic party of today, which has had a continuous existence 
from this movement up to the present time. 

The branch councils are not in existence today, but the parent body 
at New York is still a very potent factor among the Democrats of the 
nation and has controlled the party in the city of New York for many 
years and quite often that of the State. 

As we have mentioned before, Benjamin F. Thompson's father. Dr. 
Samuel Thompson, died on September 17th, 1811, and left the homestead 
and farm to his youngest son, Samuel Ludlow Thompson, an issue of the 
Doctor's second marriage with Ruth, daughter of Timothy and Seviah Smith ; 
and therefore a half brother to Benjamin F. He was born March 5th, 1799; 
married Sophia Satterly, February 12, 1842, and died February 6th, 1865, 11 
days after the death of his wife. At the time of the elder Thompson's 
demise, Samuel L. was under age and by the terms of his father's will 

(see p. ) the property was held in trust for him by the executors until 

he attained the age of twenty-one, when he came into possession of it, which 
was of course in 1820. 

To his eldest son, Benjamin F., he left a sum in cash outright and stipu- 
lated that further sums should be paid to him out of the estate at stated 
intervals in the future (see will). 

The wisdom of this disposition of the Doctor's property is shown in 
the fact that his son Benjamin was on a fair way to become prominent 
along professional lines rather than as a farmer, hence the cash bequests and 
the leaving of the farm to his other son. 

In April, 1812, seven months after his father's death, Benjamin F. 
Thompson, with his wife, left the old homestead, terminating by this act a 
continuous residence of twenty-eight years lacking one month in the old 
house. It was his boyhood home and within the old walls preparation was 
made for the useful and honored life he was destined to live — nay more 
than this, for before the final leave-taking he had already made a name for 
himself in his chosen pursuits. 

He did not leave Setauket at this time however, but resided there until 
the autumn of 1824, when he removed to Hempstead where the balance of 
his life was spent. For further details of his life after leaving the old 
house, we would refer the reader to his Biography, published in the Third 
Edition of his famous "History of Long Island." 

Samuel Ludlow Thompson fulfilled his father's hopes as an agriculturist, 
and during his lifetime the ancestral acres were known as one of the most 
successful and prolific farms in the county. Many times its produce was 
exhibited at the several agricultural fairs and exhibitions and they often 

70 



Long Island 

carried oflf highest honors. For several years he was an officer of the 
Suffolk County Agricultural Society. His only child was a daughter, Mary 
WoodhuU, who inherited the property at her father's death on February 
6th, 1865, in the sixty-sixth year of his age. 

Mary Woodhull Thompson was born on January 18th, 1843, and was 
therefore twenty-two years old at her father's death. She owned the 
property until her death in October, 1885. She was twice married, first to 
William L. Berrian, and second to Thomas S. Griffing on January 14th, 
1868. By her first marriage she had Mary Berrian, who married Olaf 
Jergenson, and by her second, Thomas S. Griffing and James Rogers Griff- 
ing, who died in infancy. Mrs. Griffing, by her will, left the old homestead 
and farm to her two surviving heirs above named. She also appointed James 
E. Baylis, of Port Jefferson, as executor with power to sell the property if 
necessary. On December 10th, 1887, he conveyed it to Adeline and Anna 
A. Garrison, of Brooklyn. 

Thus the Thompson homestead passed out of the family after having 
been in their possession for one hundred and seventy-eight years. 

The present owner is Woodhull Rowland, who obtained the premises 
from the Garrisons. 



71 



TOBIAS A. 



i RIGHT PRESS. 



LIBRARY OF CONGRESS 




014 109 932 2 



